Showing posts with label Kandis Knight. Show all posts
Showing posts with label Kandis Knight. Show all posts

2012 Client Roster: Magic Radio 1530


For Immediate Release


Magic 1530 Celebrates 1st Anniversary With
The 2012 Sound of Magic Artist of the Year Award

MINNEAPOLIS, MN, June 1st /E-Release/ -- The Twin Cities newest adult contemporary radio station, Magic 1530, wants the world to celebrate their one year anniversary through music! 
To celebrate this huge accomplishment, the station will be launching their “15 Days in June” promotion that spotlights 15 incredible Minnesota artists who define the “Minneapolis Sound” and their 1st Annual 2012 Sound of Magic Artist of the Year Award.
The 1st Annual 2012 Sound of Magic Award will honor the best National and International artists whose video truly captures the essence of  “The Minneapolis Sound”, the winner will take home a cushy social media and radio package valued at $10,000 to help push their career. 
“The Twin Cities have always been a hot bed for creative music and people around the world love the music we make.  Even though we are the new kids on the block, we want everyone who is in love with the “Minneapolis Sound” to celebrate with us,” explains Rodney Smith, Magic 1530’s station manager. 
Although the year has been full of highs and low, Magic 1530 has enjoyed many great milestones including moving to a brand new location (relocating from Chaska to Golden Valley), having national recording artists such as Grammy Award winning recording group Mint Condition through the door, and in April 2012, international radio personality Michael Baisden was in studio live.  Most recently the station is forging great partnerships with major corporations and media outlets such as Allied Movie Company and Curves Fitness Centers to help expand their community outreach.
“We started small for a reason, and we are on track to launch many initiatives in the Minneapolis market and abroad in 2013.  We will be launching a brand new website the end of June to coincide with the launch of all new social media pages, we are even working on our own application for mobile users,” says Smith. 
To submit your video for The 1st Annual 2012 Sound of Magic Award simply visit Magic 1530’s new Facebook page (www.facebook.com/Magic1530) (remember to click “like”) then send your Youtube video url to the email provided on our Facebook page.  Winners will be announced on June 15th, 2012.
About Magic 1530
Magic 1530’s (Twin Cities 1530 a.m.) is a classic and contemporary R&B music format.  Founded in June 2011, Magic 1530 is dedicated to bringing back the local feel to radio while remaining on the cutting edge of radio technology.  Magic 1530 is not a radio station just for urban listeners.  Just as Motown hit people across spectrums and class lines, so does Magic 1530.  Anyone who loves good music or grew up listening to these classics will enjoy Magic 1530. 

Magic 1530 is always looking for advertising, sponsorship or marketing partners, please check us out at 2012 Minneapolis Juneteenth Festival! For more information please visit www.magic1530.com or follow us on Twitter @mplsmagic

    Contact:
            Kandis Knight,
Marketing Director
Magic 1530 a.m.
Kandis@magic1530.com

2011 Client Roster: Dave Raps


Dave Raps
By Kandis Knight

PLAY ME AS YOU READ:
Download DeLorean: CLICK
Watch Dave's Video: CLICK

At 20 years-old, college student, Dave Raps has a simple name, but that is the only thing simple about him.  Dave Raps is quickly proving to be a complex artist with a lyrical flow reminiscent of Special Ed, swagger like Diddy and hustle like 50 Cent. 

Most recently, Dave proves he has another redeeming quality, a ravenous female fan base, like Soulja Boy.  Keep your eyes on Dave Raps. 

With two tracks circulating on the internet, Dave’s remake of Drake’s “In the Morning” and “DeLorean” already have bloggers chatting and female fans swooning.

His image and buzz have this statuesque emcee already negotiating modeling contracts and endorsement deals long before a record deal.  “Execs are betting on his commercial viability, he in an artist who gets it,” explains Dave’s manager Vee.  “Dave knows exactly what the market is looking for and he is just the artist to fill that void”.

Dave’s colorful graphics and graphic rap stories, are the elements that make movements.

About Dave Raps

In the rap game, Dave Raps is a freshman all-star entering the game with all the swagger of a college graduate.  His debut solo album, H.Y.P.E. (How Young People Evolve) successfully does everything in its power to justify his confidence.  So does Dave’s first single, DeLorean, already “a blaze” in the blogosphere, a track made with the 80’s babies in mind (“Back to the Future”).

Since Dave first started laying tracks, he has been voraciously building a base of fans who appreciate genuine lyrical acrobatics, colorful rap stories drenched in metaphors and abstract thought.  With his futuristic vibe and his uncanny story telling ability, it is no surprise that he is being compared to T.I., Andre 3000, and Special Ed.  After one listen, you will agree, this 6’2”, wildly handsome and debonair kid, is rightfully one of the fresh, new voices in Hip-Hop. 

Possibly his strong Caribbean upbringing might explain why this Yonkers New York Native, commands a crowd so well that he pulls you smack into the middle of his passion fueled reality.  Dave’s melodic flow will effortlessly carry you off into the world of “Dave Raps” where track after track, a unique adventure in sound and composition are tantalizingly presented.  Even the most astute Hip-Hop connoisseurs respect Dave’s movement.

Fans adore Dave’s hybrid style, his New York flair fused with a sweltering Southern style drawl makes his music soulful yet gritty. His music is unique in the sense that he bridges honesty with creativity and he opens his inner thoughts as he examines outer influences. Dave is in tune with what people want to hear from rappers of the day and he has his lane clearly carved out and his foot is on the gas.  Keep your eyes on Dave Raps.

What the Music Industry is saying about Dave Raps:

Dirty Friendz.com says:
"80′s babies gonna love this. Dave Raps take us back, as in Back To The Future with his cleverly titled track ‘The Delorean’. Taking us on a ride to the future and back again with a flow that rides the beat perfectly. This is the first track from his upcoming project H.Y.P.E. Stay posted for more from him soon."   

Left Over Cake.com says:
"The latest track from Dave Raps, nostalgically titled “The DeLorean”. This is the first track off of Dave’s up and coming project H.Y.P.E. which drops 2/11/11 at daveraps.net. More fire. This guy is making rounds on the net and soon enough he’ll be making rounds on your favorite radio station. Give it some more time and I bet he’ll be flying off of store shelves everywhere." 

Splash Joy.com says:
"I am becoming more and more glad I opened up the original email I got from this homie’s management way back when. He has provided me with nothin but JOY in my ipod ever since. I absolutely love the artwork for this upcoming project too. Be on the look out for H.Y.P.E. EP dropping on Friday, here we go with the opening track"

Dope Native Boy.com says:
"Dave Raps? He does Rap. Taking from the theme of Back To The Future Dave going in on a up tempo beat and kills it."


Tufts Roundtable Commons says:
"So i really like the backbeat to this, which is interesting, because it is kinda repetitive and we know i hate that shit. this is the first track off dave raps’ newest project H.Y.P.E. (dropping february 11). he spits pretty damn well, not gonna lie, and he’s got a little more bite than most rappers who kinda just flow more smoothly. both styles are fine, but i feel like we haven’t been posting enough edginess. he’s also managed by vee nyce, who’s
really quite chill.” 

Rock The Dub.com says:
"To build-up for H.Y.P.E., an EP of originals that Dave will be released this Friday on daveraps.net, he drops this Back To The Future-minded track. I imagine the thought is “bringing it back with style”, but there’s nothing in this that screams “vintage”. No Michael Cole. Shit’s fly regardless, because Dave beeeeen in the future. Should’ve left that sangin’ in the hook in the past… or is that the future? His past, our future. Days of Dave’s Future Past. No? Nevermind."

Generation Vision.com says:
"Ok real talk, this goes hard. It’s the newest offering from Dave Raps that will appear on his upcoming H.Y.P.E. project coming Feb. 11, which will feature all brand new music." 


For media inquiries:

Kandis Knight
Publicist
Dave Raps
612.599.7852
kandisdr@gmail.com

For more information and to support:  www.daveraps.net

2011 Client Roster: The Retired Player's Association



Super Bowl Kick Off Event: Carl Eller’s “The Future of the NFL” Press Conference to Address Collective Bargaining Agreements

Eller’s address will include his insights into the current state of the NFL, NFLPA, and current issues facing the NFL including Collective Bargaining Agreements. NFL greats, Marv Fleming, Dave Robinson and Mel Renfro will also be on hand to offer insight.

02.02.2011 – Arlington, TX, – In conjunction with Superbowl Kick Off Events, NFL Great, Carl Eller will be holding a press conference on Friday, February 4th 2011 at 8:00 a.m. CST. Carl Eller and the Retired Players Association will address the state of the NFL from retired player’s unique perspectives on a specially chosen, elegant, vintage rail car as a symbolic gesture. The event will be located at the Union Pacific Railroad, 2112 E. Randol Mill Road, Arlington, Texas.  This event will be open to the public and will be telecast worldwide via USteam.



The title of the press conference will be “The Future of the NFL”. Eller will passionately address young NFL players and the public. Eller’s address promises to fully educate non-players and player alike about the ramifications of Collective Bargaining Agreements. “Super Bowl XLV will be the last game played under the current Collective Bargaining Agreement,” explains Eller.

“I want to address the public to educate and inform. We chose to host this address on The Union Pacific which is a highly symbolic venue because it reminds us of the significance of the past, and the role it plays in this year’s Super Bowl.”

According to Eller and the RPA, this analogy can be applied directly to the plight of the retired players and their messages of reform the NFL and the NFLPA. Eller, a former Minnesota Viking Defensive End and Pro Football Hall of Famer, is a staunch advocate for players, aspiring, current and retired. 

“Current players, including rookies in this years’ draft have no idea of what is at stake in the negotiations. They risk billions of dollars at the bargaining table. This of course will affect the current players, who will soon be, retired players,” explains Eller.

The highlight of the presentation will be the announcement of the Retired Players Association’s heath care program SecuriCare, a national network of clinics and hospitals in pending partnerships with the Mayo Clinic, Johns Hopkins Hospital and Scripps Clinics.

This network has collective assets that will bring billions of dollars of medical care and technology to the retired players to help with health issues that retired players continue to suffer from. 

The Retired Players Association has already helped hundreds of retired players with severe and debilitating medical problems and is now rolling the program out to retired players nationally.

SecuriCare will provide the retired NFL players a cohesive, easy-to-use, network of thousands of expertly trained and skilled medical professionals. This will create a prestigious health care network which is quite possibly the world’s best health care plan and is far superior to anything provided thus far by the NFL or the NFLPA. 





Special invited guests include many sports figures and organizations including The Grid Iron Greats, NFL Alumni, and the NFL Players Association.

About Retired Players Association

The Retired Players Association is dedicated to providing powerful national advocacy and collegial support for retired professional football players, their families and the community at large. 

The RPA’s specific area of focus is to raise awareness and funding in support of medical research in the areas of Alzheimer’s and ALS, particularly as it relates to repeated head trauma. The RPA provides financial assistance for members suffering from these illnesses. 



Additionally, the RPA lobbies nationally for more comprehensive medical benefits for retired athletes.



Admission to the press conference is free, but seating is limited.

For more information and to support: www.retiredplayersassociation.com

For media inquiries: 



Kandis Knight

Public Relations
Retired Player’s Association
612-599-7852

kandisknight@gmail.com

2010 Client Roster: LuCreative Group PR & Midwest Divas Present Fabulosity!

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FOR IMMEDIATE RELEASE

Contact: Kandis Knight
Public Relations
Midwest Divas
612-599-****

Fabulosity: A Pampering, Shopping & Networking Experience to Be Featured on KSTP’s Twin Cities Live Telecast August 6th

Minneapolis, MN August 3rd—On August 6th, tune into KSTP’s Twin Cities Live starting at 3:00 p.m. CST where Fabulosity: A Pampering, Shopping and Networking Experience will be featured in the “Weekend To-Do’s” segment with Dez. Studio audience members that day will also receive a special treat from participating Fabulosity sponsors, vendors and partners.

Fabulosity, to be held at the W Hotel (Foshay Tower) August 7th, is a “day party” themed event that will feature many vendors under one roof for a unique pampering, shopping and networking experience to help benefit Minnesota Ovarian Cancer Alliance (MOCA). MOCA is an ovarian cancer alliance that supports survivors and educates the public about ovarian cancer.

"We are very excited about the Twin Cities Live support, it means a lot to have a major media partner and this will help us with our goal of making an impact for ovarian cancer and supporting MOCA,” explains Tosha, Fabulosity’s Executive Director.

Twin Cities Live, Tracy Robb, was fast to coordinate a plan for ways the show can help spread the message. "My mother died 18 months after being diagnosed with ovarian cancer. This cause is very close to my heart. We had no warning and she had no symptoms until it was too late. Ovarian cancer took away my best friend. We need to find a way to detect this disease early so others at least have a fighting chance against it, this is why I am supporting Fabulosity and I hope others will also." Robb will be among several women who will speak briefly at Fabulosity about how ovarian cancer has affected their lives or the life of a close loved one.

A video of the telecast will also go online August 6th and there will be a re-broadcast at 1 a.m. August 7th, which is a time slot that receives excellent ratings.

In addition to donating a percentage of the proceeds from Fabulosity, The Midwest Divas will also hold a silent auction at Fabulosity to benefit MOCA.

It is still not too late for fashion and beauty vendors to participate, the Midwest Divas are seeking "an eclectic atmosphere, where women will frolic, mingle, network, buy beautiful merchandise and be catered to."

Designers, vendors, boutiques fashion and beauty companies are all encouraged to go to the vendor section of www.midwestdivas.com.

Sign up to help a great cause that all women care about.

The Midwest Divas are taking donations for the silent auction to be held at Fabulosity until the day of the event to raise funds for MOCA please email tasha@midwestdivas.com.

Would you like to put your items in the Fabulosity Gift Bag? Promotions, flyers, coupons, should be shipped to Midwest Divas/EMP Attention: Marcella Marshall 5349 Empire Lane, Plymouth MN 55446 preferably in quantities of 300 (no minimums and the venue capacity is 1000) due date by July 25th.

A few of our participating sponsors, vendors and partners include:

MOCA (MN), Aveda Institute, EIRO Fit, W Hotel, Vitamin Water, Rox Mpls, OPM Boutique, YQY Boutique, Mi Armadio Boutique, Zelaz Boutique, Vandalism Designs, Europe Shoes & Such, Gittelson Jewelers, Vidita, ReVamp, Ardyss Life, Body Magic, ThinkThin, Touched by An Angel, Massage to Envy, Go Health Chiropractic, Wax Kitten, Starr Hair Designs, Hair By Dawn, IamMoody, LuCreative Group, Emerald Marketing Partners, Twin Cities Live, McFarlane Media Group, Charolette Ann’s Boutique, Cloud 9, Party Girls, Maximize Health, Ete Handbags, Coco & Chloe, Lots of Frou Frou (Jewelry), Uniquely Yours Gift Baskets, Simplicity Gourmet, Morgan's Designs, Ali Shops, Already Pretty.com, V-State, West Side Hair Care, Fabulous Faces & Shiatsu Massage!

To purchase Fabulosity Tickets On-Line: http://fabulositywhotel.eventbrite.com/
To purchase tickets to Twin Cities Live: twincitieslive@kstp.com
For more information about
MOCA (MN) please visit: www.mnovarian.org
Fabulosity please visit: www.midwestdivas.com
ROX Minneapolis please visit: www.roxmpls.com
Zelaz please visit: www.zelaz.com
Vitamin Water: www.vitaminwater.com
Twin Cities Live: www.twinciteslive.com

For more information or if you would like to be present at Fabulosity for business exposure, networking or just to be a pampered guest, please contact Marcella@midwestdivas.com 323.605.2587 or tasha@midwestdivas.com 651.276.6103 to R.S.V.P. or for sponsor and vendor information.

About Twin Cities Live

TWIN CITIES LIVE airs weekdays on 5 EYEWITNESS NEWS. The show focuses on the people and places that make the Twin Cities unique hosted by Minnesota natives John Hanson and Elizabeth Ries.

TWIN CITIES LIVE segments are varied and diverse including local business entrepreneurs, chefs & restaurant owners, fashion & trend experts, nutrition & fitness professionals, gardening whizzes, musical guests and tons of deals, discounts & bargains.

Mark Your Calendars:

August 7th- “Fabulosity: A Shopping, Pampering and Networking Experience” will be hosted by the W Hotel (Foshay Tower), in Downtown Minneapolis: 821 Marquette Avenue Saturday August 7th, 2010 from noon-until 7 p.m. Tickets are 20.00 at the door and include express manicures, mini massages, champagne and hors d'oeuvres. Bring the women in your office, bring your girlfriends, your daughters! Tickets to Fabulosity make great gifts!

Social Media Tags: Ardyss Life, Body Magic, Emerald Marketing Partners, LuCreative Group, Europe Shoes & Such, Fabulosity Minneapolis, Fabulosity W Hotel, Gittelson Jewelers, Go Health Chiropractic, Hair By Dawn, IamMoody, Insight News, Kandis Knight, KSTP, LuCreative Group, Marcella Marshall, McFarlane Media Group MOCA (MN), Mi Armadio Boutique, Midwest Divas, Minnesota Events, Minnesota Ovarian Cancer Alliance, MOCA (MN), OPM Boutique, Ovarian Cancer, ReVamp, Richard Moody, Robyne Robinson, Rox Minneapolis, Rox Mpls, Rox, Smart Water, Starr Hair Designs, Tasha Griffin, TOSHA, ThinkThin, Thomasina’s Cashew Brittle, Touched by An Angel, Massage Envy, Troe Williams, Twin Cities Live, Vandalism Designs, Vidita, W Hotel, Wax Kitten, YQY Boutique, Zelaz Boutique, Charolette Ann’s Boutique, Cloud 9, Party Girls, Maximize Health, Ete Handbags, Coco & Chloe, Lots of Frou Frou (Jewelry), Uniquely Yours Gift Baskets, Simplicity Gourmet, Morgan's Designs, Ali Shops, Already Pretty.com, V-State, West Side Hair Care, Fabulous Faces & Shiatsu Massage!
# # #

2010 Client Roster: Waka Flocka, Yo Gotti


FOR IMMEDIATE RELEASE

Contact: Kandis Knight
Public Relations
Live From The Kitchen Tour/The Booking Agency


Southern “Phenom”, Waka Flocka Added to the Yo Gotti “Live From The Kitchen Tour 2010”

Atlanta, GA March 1 /Hip-Hop Press/ -- Yo Gotti announced this week via his management, Mouth of Tha South Management and M & M Entertainment, that rising Southern “phenom”, Waka Flocka, will be joining him on the “Live From the Kitchen Tour 2010”. “The Live From The Kitchen Tour” will hit the roads this spring for fifteen exclusive tour dates across the country.

Also announced today, the official tour kick-off will take place in Atlanta, GA.“I have been following Waka Flocka’s career for months, and his time to “take off” is now and “The Live From The Kitchen Tour” will boost his ascent into the stratosphere,” explains Peppa Williams, CEO of Mouth of Tha South Management. “Waka is filling up venues as large as 1700 nightly and Gotti has been doing his thing on the numbers tip for sometime now so these two teaming up together creates a win-win situation everyone can appreciate and there will be more surprises to come.”

Gotti’s latest full-length album, Live From The Kitchen, will hit streets Spring 2010.

About Yo Gotti

Yo Gotti emerged from hip-hop's dirty underbelly in the late 90's via Memphis. Gotti's inspiration of both Southern and non-Southern rappers is always evident. Sprinkles of N.W.A., Cash Money and Lil' Wayne, and the late Tupac flavor his verses, however, Gotti’s voice is his alone. Raised in the infamous, crime-ridden Ridge Crest housing projects, Gotti label's his music "Reality Music" for a reason.

However rapping about crime and street life is not his main focus. He has always been a well-rounded artist. Gotti began building his catalog in the early 2000s. His first album, From da Dope Game 2 da Rap Game, in 2000; 2001's Self Explanatory and 2002's Block Burnin', Vol. 1. Gotti signed with TVT and recorded Life, in 2003. TVT released "Dirty South Soldiers" (a duet with Atlanta crunk star Lil' Jon) as Life's first single. After his track "Full Time" landed Gotti a feature in the film Hustle & Flow, he released Back 2 da Basics in 2006.

About Waka Flocka

Waka Flocka Flame, a.k.a. Waka Flocka, a So Icey Entertainment artist has been burning the streets up with hot singles since signing to So Icey Entertainment. Although a fledgling artist, Flocka is no stranger to the industry he is the son of Debra Antney, Gucci Mane's manager and CEO of So Icey/Mizay Entertainment. Waka Flocka Flame is a member of the 1017 Brick Squad, with Gucci Mane, OJ Da Juiceman, Frenchie, and Wooh Da Kid. He is currently preparing his debut album and a mixtape with the Brick Squad.

LIVE FROM THE KITCHEN TOUR CALENDAR

March 19th __Atlanta, Georgia @ Club Obsessions
March 26th __Baltimore, Maryland @ Sonar
April 1st __Little Rock, Arkansas @ Robinson Auditorium
April 2nd __Knoxville, Tennessee @ Knoxville Auditorium
April 3rd __Chattanooga, Tennessee @ Soldiers & Sailors Memorial Auditorium
April 4th __St. Louis, Missouri @ Chaifetz Arena
April 8th __Jacksonville, Florida @ Club Plush
April 11th __Orlando, Florida @ Club Destiny
April 16th __Jackson, Mississippi @ TBA
April 17th __Mobile, Alabama @ Mobile Civic Center
April 23rd __Akron, Ohio @ Akron Civic Center
April 24th __Dayton, Ohio @ Hara Arena
April 25th ­­__Nashville, Tennessee @ TBA
May 1st __Indianapolis, Indiana @ Murat Theatre

***Additional dates to be added. Tour Dates Subject to change please refer to http://www.livefromthekitchentour.com/ for the latest updates.

For more information about "Live From The Kitchen Tour", artist interviews and media credentials please contact Kandis Knight 612.599.7852

SOURCE The Booking Agency
RELATED LINKS
http://www.livefromthekitchentour.com

Interview: David Banner

Interview: David Banner (Mississippi)
Published in Indie Street Magazine
By Kandis Knight

“Levell Crump is a college graduate, a philanthropist and a long-time community activist. Sup wit’ all those beautiful nice things that people have a tendency to call me?” asks the Mississippi-born, black, superhero better known to the Hip-Hop world as David Banner. “Like Hulk, I can be a very rambunctious person and like David Banner, I am very intelligent.”

Banner, recently known for his political taunts loves to express his opinion. “The biggest issue facing America is how the International community perceives us. America has been such a bully for so long. You know and we are going to have to pay one day for our wrong doings. We have pushed so many people around, if anything was to happen to America we are going to have to serve for it because no one else is going to come to our rescue. Why should they?”

Banner a.k.a. “Big Face” graduated from Southern University in Baton Rouge, Louisiana however we all know Banner is 100% hood-certified and always will be. That is why we can’t get enough of him.

“I intelligently talk gangsta’ shit!” explains Banner (laughing hysterically). “I grew up in a gangster environment. I think President Bush is a gangster. When I was growing up Jackson Mississippi was the murder capital of the United States, do I need to say anything else?”

Banner’s decorated music career began the day his Uncle James Edwards, a northern DJ, brought a stack of records to Mississippi. “He brought Mantronix, Stetsasonic, you know, and my life changed ever since then.”

Soon after Banner became part of a group called Crooked Lettaz (released the album Grey Skies, 1999). When Crooked Lettaz disbanded Banner released his first solo album which sold over 10,000 copies. (Them Fire Water Boyz, Vol. 1, 2000). Banner’s first major album went gold thanks to hits like, "Like A Pimp” with the help of Lil’ Flip (Mississippi: The Album, 2003). Banner has since released two major albums (MTA2: Baptized in Dirty Water, 2003 and Certified September 2005). His latest and highly anticipated album, The Greatest Story Ever Told will be released October 2007.

No one will ever doubt Banner’s prolific music industry track record, just when he had reached all of his goals in the music game, Hurricane Katrina pushed him into yet another public arena. Most recently Banner has been making headlines on the political front. Since Hurricane Katrina Banner has been busy blasting and shaming community leaders who he feels have dropped the ball when it comes to the plight of the African-American community.

The majority of Banner’s work with Katrina victims was largely a labor of love and went unrecognized until he was awarded the Visionary Award by the National Black Caucus in November 2007. When Banner’s award was questioned by conservatives and some civil rights leaders, who object to the lyrics in his music, Banner naturally fired back. He’s David Banner.

Although the white media (sometimes using a black face) loves to crucify him, he continues to stand for what many marginalized young African-American youth feel and remains loyal to the thousands of voiceless fans in urban ghettos and slums.

“Sharpton can say what he wants, because what I said is true. . . Oprah should listen to Hip-Hop music, it might put some more black back in her. I would say they don’t know me, it amazes me how people have opened their mouths and they have not done research. I’ve always been an activist. I was student government president in school, I have always been active in the community. I have always been outspoken. . .The thing is. . .They don’t know me and that is fine with me. I go to God at the end of the day. As long as he knows my heart I am fine because my only goal is really to be with him in the end. I don’t give a fuck what people say. I care less.”

Heal The Hood is yet another example of Banner’s philanthropic endeavors. Heal The Hood is community program founded and directed by Banner that has been assisting people in neighborhoods that are usually over looked by mainstream organizations since 2005. “I do all kinds of things, I do scholarship programs, I take kids out of the hood on trips. . .the better question would be, what don’t I do? I think children know that I tell them the truth and that I don’t cut corners on them, I just love kids,” his mood changes.

“I used to love black people but now I just love kids. Niggas don’t give a fuck about nobody but themselves for the most part. People want you to step out there so they can watch you get killed. Fuck it, kids are my main focus now.”

With all the misogyny, violence and materialism Hip-Hop is notorious for, community activists like Al Sharpton have been challenging artists to take responsibility for their lyrics however Banner believes that Al Sharpton and others who are attacking Hip-Hop are wrong for trying to interfere with a way of life that has afforded many young African-American’s a way out of the ghetto. In addition, Banner staunchly believes critics are wrong for attacking Hip-Hop and Freedom of Speech when parenting should begin at home.

“I think parents should raise their own m*therfucking kids. And women should stop having children in situations when they know they can’t even take care of their own situation and stop looking for people to raise their damn kids! Raise your own f*cking kids. We need to stop having kids when we know we ain’t ready. Move away from the dick, move away from the dick, it’s dangerous!” Banner adamantly screams.

Banner, the elder son of esteemed firefighter and strict disciplinarian, Zeno Crump Jr. (who passed away in June 2007, R.I.P.), definitely believes in old school principles of child-rearing.

“Yeah, my parents were activists too, they were very active in beating my ass!” laughs the animated emcee who admits, outside of reprimanding, he and his father exchanged few words growing up.

Banner’s unyielding spirit, his gift of music, his father’s discipline and his college education have brought him a long way. On September 25, 2007, Banner exchanged a few words to Congress about the way African-Americans are portrayed in American media (aired nationally on C-Span 2). "I can admit there are some problems in Hip-Hop but it is only a reflection of what’s taking place in our society. Hip-Hop is sick because America is sick," Banner explained to Congress and the world. He went on to comment on the attack on Hip-Hop (The First Amendment). "If this is not a sign that we need to stand together nothing is. It started with homeland security and now the 1st Amendment. Everyday we are moving closer to a dictatorship."

Although he has found himself comfortable speaking before the masses Banner sometimes feels misunderstood. “I am not really a conflict oriented individual, as much as people would like to think I am. I really just like peace. I like being by myself, I like reading and being myself. I like sitting by the lake and watching the fish. But m*therfuckers want me to bust they ass!”

In addition, to music and politics, Banner’s Hollywood acting career is also running in overdrive. He recently starred along side Christina Ricci and Samuel Jackson in the movie Black Snake Moan, where he played the role of Ricci’s personal black booty call, Tehronne. Sadly, Banner lost out on a role in Batman to actor Michael Jai White but with one of the best Hollywood agents on his team, Sarah Ramaker, it will only be a matter of time before we see Banner bring home an Oscar and some more of his special flavor to the big screen.

These days, Banner is doing tons of press interviews daily, while sticking to a strict diet and recovering from a near fatal depression. “I eat five balanced meals a day, no sugar, no salt add a gallon of water, vegetables and chicken breast and nothing fried. . . I went through a very bad depression last year, near fatal. A lot of people go through this shit and they don’t know that they depressed. They don’t know what’s going on with their mind. I want to be one of the first to tell people that it is real I don’t care who you are, depression is some fucked up shit.”

Some may attribute Banner’s depression in part to the loss of his father. “It is crazy for me because me and my daddy, just started getting tight. Like we didn’t even talk much growing up me and my daddy didn’t have five hours of normal conversation outside of him reprimanding me. I realized I had been looking for friends in my life and now that I see who my best friend was, he died.”

To overcome his debilitating depression, Banner began analyzing all of his relationships. “I started kicking a lot of negative shit out of my life. I really separated myself from a lot of negativity…ain’t no arguing, or negative vibes or hanging around negative people. I don’t give a fuck if you my momma or my girlfriend if you become negative in my life you got to get out.”

All of the rebuilding has paid off. “It was a time in my life when I didn’t know what I wanted to do, but then I realized I accomplished all of my goals. Maybe not to the level that I thought I should, but shit I got on and produced platinum records, I got gold and platinum plaques. I done worked with just about everybody, I done, done everything. Anything else was excess. I didn’t know what else I wanted to do because I never would of thought I would of made it here. That is the problem, people don’t know what they want to do and we are already so blessed. People are so blessed and they want more and they done already forgot that God already blessed them.”

Banner has successfully reinvented himself in time for the release of his new album The Greatest Story Ever Told.

“Expect hits, not no fillers or experimental bullshit. I am trying to be what the fuck people want. Like McDonald’s, do you know why they are the number one seller? Because you know what the fuck you’re gonna get.”

Speaking of knowing what you are going to get, Banner has a few choice words for the bloggers.

“That is America’s problem, everyone is so obsessed with each other’s personal lives, mind your own damn business!” Even though he did make sure to mention he was single and wants to have seven children, and that he currently has none.

“I think there are too many people talking too much shit that they don’t know about. You don’t have to have no experience or no say so in nothing in order to blog and talk shit. People don’t talk nothing but negative shit. I want to hear something positive. We don’t do nothing but tear each other down and complain and bitch and moan. And the news don’t do nothing but report negative shit. That shit is depressing.”

On a lighter note, Banner is always willing to talk about the music industry. With so many Southern artists successfully chilling at the top of the music charts, Banner seems to be in a great position to really make this album his biggest. However, Banner remains an astute student of the business.

“Southern music didn’t take over the industry, the South was the new region that the music industry raped, Southern niggas ain’t getting nothing out of it. I think T.I. will be the only one who gets anything out of the Southern movement. If you look at any other region, look at Eve, look at Ice Cube, DMX, Snoop Dogg, 50, Jay Z, Puffy they were able to use this rap shit and rise to another level with commercials, endorsements, clothing lines that will last way past their duration in the music industry,” he explains.

“You tell me what a Southern rapper controls? You don’t see Southern rapper’s on commercials. We ain’t doing nothing but “cooning” and rapping. I said it. We ain’t doing shit!”

Call that a challenge or an honest observation, Banner’s love for the South should not questioned. He is quick to praise his fellow Southern brothas’ in the game.

“(When growing up) I was really trying to choose the right or wrong path, you know which direction I was going in, and to see young brothers (Goodie Mob) really stand up and believe in something, I know two of them were thugs, but they chose to represent something different in their music. And that really helped push me in that same direction. UGK, for the way they repped the south and the way that they stood for what they believe in. They were proud for being Southern people. Outkast because they always sat on the edge of music without threatening the mainstream. They always pushed the envelope. Pastor Troy for the way he repped Georgia.”

Through it all, Banner loves the music industry when everything works the way it is supposed to and compares making a hit record to making love to a woman. The things Banner hates about the music industry are the things most of us hate about it. “I hate money hungry record label executives and bitch ass niggas. . .The hardest lesson learned I had to learn about the music business is that it is just a business and nothing else, as much as we as black people want music to be something else, it is just a fucking business, just like selling guns, or selling dope, just like selling bread or electricity. It’s a fucking business, as soon as we realize that and treat it for what it is we will probably be a lot better off.”

To David Banner, “getting money” should be the agenda for young black America, however he does think it can go too far. “I think that is fucked up and I think she (Superhead) should of kept that shit to herself. It ain’t they fault that she was weak and gave her pussy away. That’s terrible to me, but who am I to say, she is making money, fuck it.”

Banner’s advice to aspiring artists, is short and to the point. “Read a fucking book get some knowledge into your head about the business, find God before you find music.”

After you go out and buy your copy of The Greatest Story Ever Told, make sure to turn to the Adult Swim Network and catch Banner’s new cartoon, Crook'd Sipp. Banner is the creator and executive producer of the cartoon, and he also produces all of the music for the off-beat cartoon that takes place in Banner’s home state, Mississippi.

“It is wonderful to be a part of that process and to watch the cartoon process come together and to see my ideas come to fruition is wonderful.”

You can catch Crook'd Sipp airing Sunday nights at 12:15AM EST. The cartoon follows the lives of the Beauregards, a white family who think they are living in the 1800's but are stuck trying to navigate in today's racially integrated world. Banner plays the main character, Virgil; a restaurant owner and the manager of a rap group.

As always Banner is also hot in the studio right now producing music for heavy hitters such as Jim Jones, Lil’ Wayne, Chris Brown, Quincy Jones, Pimp C, UGK.

For more information please visit http://www.david-banner.com/ or visit www.myspace.com/davidbanner .

2009 Client Roster: Donks R Us


Written By Kandis Knight
Donks R Us

While serving a stint behind bars, the future CEO of Donks R Us began envisioning the framework for how he would change his life upon release. After much thought, the idea for Donks R Us Entertainment, a Brunswick Georgia record label was formed.

“The label was founded in 2000 in U.S.P Atlanta. Doors opened for business in 2006. I was in prison dreaming of millions,” explains BG, the young CEO of Donks R Us.

When BG left prison, he focused all of his attention on making his vision a reality. Quickly signing artists YJB, Mr. Mid, Black Dre, Young Corleone and producers Too Smooth and Young Quan to his new label.

Once the team was assembled, it did not take long for them to start making noise. They came together with a shared vision, opened a studio and started promoting their own concerts and events.

Inpired by artists such as 8 Ball and MJG, Tela, Outkast, Goodie Mob, Scarface, T.I., Cash Money, Trick Daddy, Jay Z, Biggie and Tupac, the young crew quickly connected with many chart topping artists in and around Atlanta.

Since the label’s debut, Donks R Us artists have gone on to perform with and open for artists such as Lil’ Boosie, Plies, Young Dro, Trick Daddy and Blood Raw.

“The music talks about life and being surrounded by the things that influence it, money, pimps, players, prostitutes, drugs, street hustling, cars, clothes and women,” explains Corleone.

Through Donks R Us Entertainment, BG has watched his dreams come true for himself and his artists. “Someone told me I couldn’t do it (rap) because I was hustling part time and rapping part time and I was told to be successful I needed to concentrate on rapping fulltime. I started recording my first mix tape “36 Ain’t Enough” in my boy’s home studio. When I dropped my mixtape in the streets, people started taking notice,” explains Mr. Mid.

With the entire group poised to release projects in 2008 and 2009, the momentum is high within the ranks at Donks R Us.

“I made a vow to myself that I would hustle as hard as I could to never have to worry about issues like money,” says YJB, who is currently attending Georgia State University studying Communications with a concentration in public and political communication.

“The idea of my label is to provide quality music we have the right to be called DONKS-R-US. Donks R Us don't lie! We getting it 4 real,” says BG.

For more information please visit www.myspace.com/donksrusent

2009 Client Roster: Kaspa Da Don (Hittmenn Djs, Zone 4)

ATL’s Got a New Spike Lee
By Kandis Knight

Hittmenn Djs President, Rob “Kaspa Da Don” Smith is already a veteran among Atlanta’s elite “movers and shakers”. Ask anyone about his vigorous work ethic and you will get an ear full. In 2008, Smith is going to take the same hustle that made his name big in the music industry to the big screen.

Smith is on an all out “grind mission” that will include directing the movie he wrote and produced titled Off Tha Hook, and producing and starring in a comedy DVD.

“I am free. Everything that I want to do and anything that I want to create, I feel as though I can attain it,” says the mogul, reclining into a lush leather chair while feverishly texting on his I-Phone. “I am a writer and a visionary. So when it comes to production, I am able to conquer whatever I set my sights on.”

Off Tha Hook is the second movie written by Smith and his first production. “The film production crew came to me with the movie because they wanted to take it to the next level. Off Tha Hook is basically a street oriented movie featuring Rich Boy, Dem Franchize Boys, Stacks, Polow Da Don and Greg Street, we have a few others, you know surrounded around the music industry? You will get to see some of your favorite artists showcasing their skills in the acting realm.”

Smith is not new to film production, he has been known to pen entire scripts in a days work. “I am a blessed writer. I write fast once I have a vision.”

Off Tha Hook is a contemporary urban story about karma. It is the story of “BP” played by actor Terry Brown. “It is about a drug deal gone bad. The main character, BP, is a guy who doesn’t care. He is an assertive persistent character from the street that doesn’t understand no,” explains Smith.

“I think it is time that Atlanta grows, not so much in music but on a bigger level such as film industry. The film industry is just now getting ready to take off. True, we have Tyler Perry and Ryan Glover at Turner Broadcasting. However, I think Atlanta as a whole is ready to grow, we have the scenery and the people, let’s draw a niche in that way and give the world more films made in Atlanta.”

Smith has been a pioneer in the music industry for many years, and his transition into film will be no different. “I believe I am a pioneer, my writing and directing techniques are different. People are going to appreciate my editing techniques and the unique angles I choose. With this film I will be able to touch a lot of people.”

Smith admits it was difficult to teach hip-hop artists the fine points of acting. Despite the hurdles, the strength of Smith’s production team pulled the project through. “It is all about creativity and the team you have on the creative side. You want to take the person that is most creative with dialogue, location, wardrobe, production and props to get the best results.”

Among the stand out first time actors, is V-103’s star Dj, Greg Street. “Greg Street really did his thing in the movie as far as he had to bring a whole element to the movie. His part was so powerful that it ushered in a direction change in the entire movie.”

Smith is quick to explain the movie was created to “touch the streets”. “It is what it is, it is Off Tha’ Hook, there is something for everyone, murder, mystery, comedy and drama.” Off Tha Hook will be distributed in March presented to a hood near you by Smith’s sprawling International Hittmenn Djs network.

Please visit THEIR SITE for movie trailers and additional information. Or go directly to the movie site. CLICK

2009 Client Roster: DJ Bigga Rankin

Interview: DJ Bigga Rankin
By Kandis Knight

Let’s count down……the top ten things according to Dj Bigga Rankin we can do to make the music industry better in 2008.

10. Artists get to the city you're performing in early to do street
promotion, and visit stores. This will help promoters with the success
of the show.

9. Promoters are looking for riders and not wishlists. Artists be
considerate, don't ask for 10 bottles of Rose', and 10 Bottles of
Patron.

8. If an artist charges $20,000 to perform in Atlanta, they shouldn't
charge $20,000 in Waycross, Ga. All markets are not the same!

7. Independent artists, stop emailing tracks to DJ's and telling them
the track isn't mixed so don't pay attention to that. 1st impressions
are the only impressions.

6. Promoters make sure you have an artist's back end money when they
get to the city. Also make sure the person who makes the pick-up takes
a bath.

5. Independent artists, when opening for a major Please! Please!
Please! do your single and leave the stage.

4. DJ's need to play more independent music. Don't be afraid!! If the
music is hot give it a chance.

3. Independents stop putting out albums with no single or advertising.

2. Managers & Indie Label CEO's, spend your budget on promotion and
advertising instead of strippers and cars.

1. This is to all artists that shit on DJs that help them. "Time is
longer than rope. Who God blessed no man can curse."

Bigga in Raw Report....what's up Jason C.!!!!!!!

2008 Client Roster: Snook

Interview: Snook (Southern Dynasty)
By Kandis Knight

“Limewire and other file-sharing sites prevent the good artists from moving units. However, artists, also share the blame in a sense because you can’t expect to make one hot single and leave the consumer to purchase fifteen so-so tracks.”
-Snook

In the quiet moments of his father’s last days, a young black man learned the true meaning of manhood. Solemnly swearing “to go hard and never show pain” he emerged from the shadows of a dreary hospital room with a new credo.

“I took care of my father those last days, I bathed and fed him and he never showed pain.”

Snook was forced to search inward.

“My father and I never had the best relationship but thankfully before his death we were able to mend our relationship and take the situation for what is was, he was my dad and I was his son.”

Snook, never wanted to be a rapper, even though his older brother began pushing it on him when he was young as a way to escape the ghetto. “I went to Benedict College and I majored in Business management and minored in Mass Communications.”

Snook is currently signed to Southern Dynasty Recordings, his own label and he has a very equipped business staff working around the clock to push his product. “My older brother, Ray used to always try to get me to rap in my early childhood days but I never wanted to be a rapper so I guess you can thank my brother for getting me at this point.”

Following the death of his father, Snook matured in every area and so did his rap game. He retired from battle rapping and become a disciplined writer.

That was when his artistry and business savvy was ignited. He put out 4,5,6, New Banker and sold eight thousand units out of his trunk. He sold eight thousand more in South Carolina Stores but then yet another road block stood in his way.

His business partner caught a case which caused everything to come to grinding to halt.

He moved to Atlanta and stayed with Grand Hustle’s Beat Maker, Khao. He networked, he hustled and when things got rough, he even slept in his car.

All of the grinding and sacrificing paid off. Snook is back on top right where he needs to be. The King of Breaking Records a.k.a. the Vice President of the Hittmenn Djs, Dj Bigga Rankin, is hosting his next mix cd effort, “From a Minor to a Major Volume II” and Snook is gearing up for the release of his debut album in 2008 with features from T-Pain, Yo Gotti, Lil’ Boosie, Gem Star and production by notables such as Khao, Polow Da Don, Shawty Red, Showstoppa and Twin D …Snook is bringing it like none other!

“I got a lot to say, a lot of rappers claim to be from the hood, and I don’t knock where anyone was born and raised, but what I will tell you is take a ride down my hood or look up Newark NJ aka “Brick City” and you draw your own opinion.”

Regardless of where he is from, no one can deny, Snook’s name has been buzzing in industry circles for along time now, he has opened for Young Jezzy, Lil’ Wayne, Trina, Mike Jones, Ciara, Rich Boy, The Young Bloodz, Crime Mobb, and he is currently on tour with Plies.

“I do music because it’s a way for me to express my thoughts, feelings, and what’s going on in the world at that time. My drive is unexplainable!! I go so hard for the people that go hard for me and stand in my corner supporting me from the jump, my drive is fueled. Lastly, my drive starts and ends with me so if I don’t push myself I damn sure can’t expect the next man to do it.”

Snook looks forward to the day when he will work with Lil’ Wayne, TI, Young Jezzy, Swizz Beatz, Cool and Dre, DJ Toomp, and Dr Dre. However his dream collaboration has already become a reality; check out “Untouchable” feat. T-Pain. “That is one of my deepest and most real tracks ever.”

And you don’t want Snook to get deep on the music business, because he can definitely go there.

“Labels give out dollars to back an artist and to them that’s very risky, but when they see you can move units the risk on their end decreases while your stock increases. Labels are no longer developing and growing the artist that’s up to your management team, publicist, and agent then and only then the major label comes in and funds the entire operation. It’s still a multi-billion dollar industry and labels are still signing artists. But, on the flip side the record sales are in the basement while the ringtones are through the roof so go figure how vital has the technological influence affected the music industry?”

Although most artists blame file sharing sites, Snook thinks artists have to accept responsibility for the decline of the music industry also. “Limewire and other file-sharing sites prevent the good artists from moving units. However, artists, also share the blame in a sense because you can’t expect to make one hot single and leave the consumer to purchase fifteen so-so tracks. Now, those same consumers that were in a sense forced to buy the album for the single can now go to I-Tunes and download that hot single for $1.99 while the $9.99 album sits on the shelf.”

In the beat department, producers who want to work with Snook should submit tracks that have a rock feel. Snook has even been known to rap with a live band. “I look for something with a little rock feel to match my swag when I’m in that mood. When I’m not on my rock shit I look for beats with a lot going on; a lot of different changes from the drums to the horns. I like beats with a nice little melody because I write a lot from real life situations and these beats provide a hidden story in which I can hear and instantly think of the direction I want the song to take.”

“The major lesson that I’ve recently learn is don’t trust everybody that sells you a dream; make your own dream a REALITY and you’ll enjoy the memories a whole lot better in the end.” -Snook

www.sonicbids.com/snookdarokkstarr

www.snookmusiconline.com

www.myspace.com/snookmusic Add Snook as a friend!!!!! Lots of contests!!!!

www.youtube.com/snookcontest





2008 Client Roster: Snook

Artist Biography: Snook (Atlanta)
By Kandis Knight

From the unforgiving streets of Brick City, a.k.a. Newark, New Jersey, to the bowels of the South, hails hip-hop’s latest phenom, Snook.

Born and raised in a system in which only the strong survived, Snook grew up in a drug infested reality to excel. His drive and determination is evident in every track he lays.

Snook graduated from high school and enrolled in Benedict College in Columbia, South Carolina to pursue a career in Business Management. However, with his music career on the fast track, Snook left college, to focus more on his music. He formed Southern Dynasty Record Label with college friends and he never looked back.

In 2004, Snook completed his freshmen album “4.5.6 New Banker” with the help of Kevin “Khao” Cates (Grand Hustle/Intraprize Records) and Polow da Don (Zone 4 Ent.).

Snook’s 2005 single, “Meet Me at Da’ Bar” produced by Khao was a hit in Columbia and surrounding areas. The single featured Sean Paul of the Atlanta group, YoungBloodz. The second single from this album featured Lil’ Moe on the track rightfully named “Could it Be” which was also considered a Southern hit.

In 2006, the tragic loss of his father caused Snook to become more determined. His lyrics would become more meaningful and the way he worded his punch lines became more “in your face.” The passing of his father elevated him to another plateau in his music career.

Snook has been featured on a host of mix tapes from DJ Cleves “Drought Over”, DJ B-Lord “From a Minor to a Major”, several local artist mix tapes, DJ Ames (London), and DJ Michelin (Toronto).

Snook has hosted and performed shows for Ciara, The Ying Yang Twins, Lil’ Wayne, Young Jeezy, Mike Jones, Slim Thug, Trina, Crime Mobb, Lil’ Scrappy, Young Buck, Jody Breeze, Trey Songz, and The YoungBloodz.

Snook has also hosted and performed at Benedict College’s homecoming concert and step show and performed for Hot 103.9 Back to School concert with thousands in attendance.

Snook’s new album (currently untitled) is set to be released in the spring of 2008 and will include tracks from T-Pain, Lil’ Boosie, Yo Gotti, Scrilla, Princess (Crime Mobb), Mista Raja and Gemstar da Golden Child.

The new single features Lil Boosie called “Models” and it currently has the streets and soon the radio airwaves on fire.

For more information:

www.myspace.com/snookmusic

http://www.snookmusiconline.com/

http://www.thebookingagency.net/

www.sonicbids.com/snookdarokkstarr

2008 Client Roster: Jaylyriq (Nappy Boy Records)

JayLyriq pronounced J-Lirik (Atlanta)
By Kandis Knight

JayLyriq born James Michael Cohen Jr. is an up and coming Tallahassee based R & B crooner whose edgy, hardcore street tracks and deeply spiritual harmonic vocals have captured the ears of many music industry heavy weights including Matthew Knowles and Convict Records Recording artist T-Pain. It is no surprise the music industry is buzzing with the anticipation of his debut solo album to be released in 2007 on T-Pain’s label, Nappy Boy Entertainment.

JayLyriq began mastering his vocal gifts young. “I was real into Sam Cooke. My grandmother always played the Temptations and Otis Redding. I also sang in Church for as long as I can remember so did my mother and her mother, I come from a long line of soulful singers.”

The young soulful vocalist was trained by the Church of Christ which sternly requires spirituals be sung acapella. “We didn’t have choirs, pianos or guitars because we believed that we are to sing using your own instruments given to us by God, our own vocals.”

At twelve years old, the hunger to perform caused JayLyriq to venture outside of the Church walls to form a five member R & B group called Ob’Cession. “We entered all of the talent shows we could find and we never lost one.” Eventually Ob’Cession became known as Next Level and in 2001, the group lost a key member.

With all of the personal changes the group encountered, JayLyriq felt a bond with the rising yet “embattled” female group, Destiny’s Child. “One day we got the address off the internet and jumped in the car and drove to Houston without stopping. When we arrived, Matthew Knowles just happened to be standing outside and welcomed us in, we blew him away.”

Singing in front of Matthew Knowles was an honor, however at the time, Music World was going through growing pains of its own as each member of Destiny’s Child began working on solo projects. A recording deal never manifested.

In 2004, Lou Pearlman invited Next Level to Orlando to perform at Fashion Rock. Next Level won the competition and was offered a recording contract but walked away from it. “We felt there were other opportunities brewing at the time so we kept our options open.”

In 2005, the group disbanded and JayLyriq considered a solo career.

JayLyriq confided in his old school friend T-Pain before deciding to go solo. “He told me not to worry that I would be his back up singer and that he was gong to release me as his solo artist.” At the time T. Pain’s single “I’m Sprung” began to set the charts on fire.

“One day T. Pain showed up at my construction job and told me it was time to go. I threw down my construction hat and walked off the job, just like that and never looked back. The next thing I know we were opening for Brian McKnight and traveling the world.”

For more information about Jaylyriq or for booking please contact nappyboyentertainment@yahoo.com

www.myspace.com/jaylyriq

2008 Client Roster: Alfamega (Grand Hustle)

Alfamega (Grand Hustle)
By Kandis Knight

He is a giant part of the biggest Southern hip-hop empires, literally. At 6’4 and 275 pounds, it is no wonder Alfamega has been labeled the muscle of T.I.’s Grand Hustle Records. Alfamega towers way above us mere mortals and his presence can never be denied. “I am a King!” screams a very adamant Alfamega from the booth at Grand Hustle’s studio, in Atlanta, GA. You can’t deny his booming vocals either. You have no choice but to feel him. Here comes the truth.

“I used to walk around the prison yard everyday rapping. Everyone would be like, “Won’t you shut the fuck up?” They was all saying my versus’ by the time I left,” laughs the energetic rap star. “Six months out of prison I had a deal. It could have been 2 weeks because I could of signed with Beanie Siegal but I signed with Universal Records instead.”

Just like Tupac and Biggie, Alfamega will be the third Gemini to complete hip-hop’s Gemini trilogy. As we all know from Tupac and Big, Gemini wordsmith’s are adored by hip-hop fans across the world. Alfamega has booming lyrics, political commentary and club bangers all mixed in one extraordinary package. The first Alfamega product you can expect is an eighteen track mix cd hosted by DJ Burn One, called The Grand Hustle Muscle set to hit the streets in late September 2006. Alfamega’s debut album, tentatively titled Hunger, Greed and Ignorance and will be released in 2007. We can expect a long career from this guy whose business savvy is going to carry him for the long haul.

“I ain't trying to blow my money, I remember what it was like being broke. I can relate to being without. I can’t see myself spending ten thousand in the club in one night knowing I got five children to feed, a brother who is locked up who depends on me and my mother. I’d wake up the next day and want to shoot myself in the head if I did some dumb shit like that. I ain’t hating on the dudes who do, more power to them,” says Alfamega.

“I spent seven years, four days, five hours, thirty-two minutes and sixteen long ass seconds in the Federal Penitentiary system,” said Alfamega. “I have a lot to say.” On this day, Alfamega is a free man on a relentless pursuit of his dream. Tonight we are locked in the studio from mid afternoon until the crack of dawn, Alfamega’s work ethic is non-stop.

In addition to his rap career, Alfamega started his own company, Kotu (Kings Of The Universe) Global which consists of charitable organizations, political empowerment programs, international real estate holdings and media. Among Alfamega’s charitable organizations is his non-profit called 100 Kings, which is a “Rites of Passage”, mentorship program for “disadvantaged” young men. Alfamega is enlisting the most talented business professionals, entertainers and professional sports stars to mold these young men into future leaders.

“It’s more than hip-hop, I know and understand the power of my words and I am going to use this power to influence people’s lives for the better. I will be going on tour to many different places and it is important for me to visit the juvenile detention centers and talk to the young men,” explains Alfamega. “It is important for me to buy real estate in the places I travel to and help create economic livelihood in places where other rappers only want to go to get paid, I am going to give back. God continues to bless me by bringing the people into my life who can help make this a reality.”

http://www.grandhustle.com/
http://www.myspace.com/alfamega